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An Unexpected Wintertime Treat
Jason K. Nowlin
"Jason Nowlin" <doraemon68@hotmail.com>
 

The  BOOTLEG CHARLIES
Chanderner Bahnhoff ,  Kandern, Germany
13th/14th Feb 99
 

As an American ex-pat working in Germany for the past year or so, I
arrived with high hopes of finding lots of kind European heads, enjoying an
approximation of the wonderful flowering of the so-called "jam-band" scene
that is happening at this very moment in many parts of the States.  I knew
that the Dead toured here for many, many years, and that Phish had
established a fanbase here in recent years as well.  So it was with great
happiness that I stumbled upon a website where I subscribed to Bill
Pannifer's "Eyes of the World" email newsletter.  Happily enough, it covers
the scene that I had so desperately been looking for.  Oh, thank you
Bill!!!!  I did manage to catch the Phish dates in Copenhagen last Summer,
but I hadn't managed to catch The (Magnificent!) Cosmic Charlies, Deadicace,
and some of the other Dead cover bands and Dead/Phish influenced bands that
I've just begun to hear so much about.  It's pretty tough -- not being a
native, and not being a fluent speaker of German -- to get the information I
need to really feel "at home" here in continental Europe.  The "Eyes of the
World" newsletter has really helped out.

 

  I was very happy to see a "last minute German gig" advertised on the 13th
and 14th of February by the Bootleg Charlies, which is, as I correctly
understood at the time, an iteration of the Cosmic Charlies  which I'd heard
so much about.  The gig was taking place in Kandern, a small town in the
southwestern corner of Germany near the borders of France and Switzerland --
a relatively short drive (by American standards) from my apartment in
Kaiserslautern.  I thought to myself "hell, yeah!".  I called the club, the
"Chanderner Bahnhof", to confirm that the gig was still on, and the next day
I hopped in my trusty Autobahn-eating BMW (I do love driving in Germany,
except for the traffic...) and made it there in just over 3 hours.  I had no
problem whatsoever finding the venue and a reasonable room in a local
Gasthaus in which to crash.  I arrived at the Chanderner Bahnhof, a nice
little bar attached to the local train station--an odd place for a club, I
thought, but then again, I saw the Bevis Frond at the Schwimmbad club in
Heidelburg.... yeah, an indoor public pool! If you don't know the mighty
Frond check 'em out, Nick Saloman has made a lot of really groovy music!  I
arrived at the club at about 6 o'clock, ready to fortify myself with a few
of the local brews and grab a good table before the show.  I checked out the
equiptment on the tiny stage, and being a sometime drummer myself, I paid
particular attention to the kit.  Hmm, a really crappy 70's Japanese no-name
kit. I thought at that point that the band may be using rented equiptment,
which didn't bode well for them...as cheapo rented equiptment is usually
pretty trashed when you get it, as has been my experience.  A couple of
German guys were trying in vain to get the very elementary PA system up and
running.  I awaited the arrival of the band with some trepidation.
 

  The band arrived, and after no small amount of wrestling with the cheesy
PA and drum kit, they finally soundchecked.  Evidently, their usual bassist
was absent, and Brian took on the bass chores -- most ably, I thought.  I
had no clue that he was normally a guitarist until I spoke with him during
the first set break.  Andy handled the guitar parts by himself, and he
absolutely killed me.  Excellent, solid chops. Greg handled the drumkit,
such as it was, excellently.  I watched him closely for most of the first
night.  Harry and Pat were playing keyboards, Harry mostly played the piano,
and Pat, for the most part, did the Hammond organ.  They did an excellent
job, under difficult circumstances-- as they had no monitors from which to
hear themselves play.  The same can be said of Brian's, Pat's, Andy's, and
Greg's vocals. I was, overall, very impressed with the Charlies' ability to
overcome the deficiencies of the equiptment they were using, and play some
ass-kicking interpretations of the Grateful Dead's music.  My impression of
their take on the Dead's music was very favorable.  Unfortunately, I've
never made it to a Dead show, but I've listened to their music for many
years -- studio releases, live CD's, and a few shows that I have tapes of.
The Charlies' take on the Dead seemed to be not so much a perfectly faithful
note-by-note reproduction than it was a truly ass-kicking  blues-rock
interpretation containing what I always thought was best about the Dead's
music -- improvisational freedom within the song structures; sick, sick
jams, and a laid-back attitude that fit hand-in-hand with the spirit of the
music and the general strangeness of the gig (as they described it).

 

  I didn't jot down any setlists, as I came to party down. The two nights
the Bootleg Charlies played included many familiar Dead standards.  Some
highlights for me:  an awesome, far-out Shakedown Street, a great Samson and
Delilah, a killer the Other One, a far-out China Cat Sunflower, a lovely
Catfish John, a brilliant Scarlet Begonias/Eyes of the World, and a really
groovy Mr. Charlie.  It was all so great, the tunes just blended together
after awhile...the Charlies had my toes a-tappin' and my head a-noddin' long
after the shows.  Some more memorable moments included an awe-inspiring
"After Midnight" (begun at 1 minute after midnite--I remember looking at my
watch), and killer takes of All Along the Watchtower, and Gimme some Lovin',
with a beautiful Bid You Goodnight capping things off at the end of the
second night.  I do remember the Allman Brothers' In Memory of Elizabeth
Reed slipping in at the end of a wicked, sick jam, and I recall that Harry
and Pat were sneaking in some Phishy snippets on the keyboards here and
there. A Charlies' world debut of "Loving Cup" was attempted.  I thought it
was a great unrehearsed first attempt... "interesting", is how I recall Greg
describing it...  I was very happy to have sat in on a smokin' (I thought)
Smokestack Lightning, and a well, less than perfect (on my part) Big
Railroad Blues.  Thanks for being gracious enough to give me a little time
behind the kit, guys!!  I almost wish that Brian's joking request that they
be allowed to smash everything, a la the Who, had been accepted.  I can't
wait to see the Charlies in their full glory, with the sort of gear that
musicans of their skill deserve.  What a great bunch of guys, what a bunch
of killer crowd-pleasing musicians!  The Chanderner Bahnhof was by the end
of each evening, full of happy, dancing local Heads.  I must say I'll also
remember one of the guys that was dancing -- what a freak!!  Biting chairs,
and all!
 

  Thanks to the wonderful members of the Magnificent Charlies, Walter (who
evidently organized the gig), the Chanderner Bahnhof club for having the
Charlies, and Bill's newsletter which turned me on to this awesome
band.  I can't wait to see them again.  Hopefully, I'll get to see them in
the States sometime.  I know that my fellow American Heads will love 'em.
See everyone this Summer!!
 

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