BACK. ~~~~~~~~~~~~~~~~~~~ NEXT.

 

 

 

 

What is ' the past ' ? Everyone is sure that they

know what ' the past ' is, until the moment that

they have to try and give an exact and

comprehensive definition.

 

' Of bygone days '.' Events that occurred at a

previous time '.' Elapsed time '.

 

If that time, those past days, have vanished

forever, then how could we know anything

about them ? How could we even be absolutely

certain that there ever was a past ?

 

We cannot connect to the past directly, so we

have to use a kind of trick, a bit like using a

a mirror to see around a corner. The mirrors

in this case, are called archaeology and

history. The trouble is that they are very dirty,

poor quality mirrors, and the images which we

discern in them are blurred, distorted and

unclear. Through a glass darkly. The scrappy

information which we perceive, the text, is

fragmentary at best, and then subject to some

interpretation. And some.

 

In addition to historical documents, - text in

the traditional sense - the clothes people wore,

the food they ate, the houses they lived in, all

the physical traces bequeathed by any human

activity can be seen as text providing subtle

messages which can be interpreted in many

ways.

 

The problems lie not so much in coming up

with an interpretation, but rather in how to

choose between a host of rival interpretations

in a way which can be intellectually upheld.

 

There is one simple but crucial question to

be addressed, and it is this. Does the text

( or ' reality ' ) impose any limitations upon the

interpretations that may be supplied for it ?

 

If the basic answer is ' no ', then a text can

mean anything. Interpretation unlimited. No

interpretation, however fantastic, fabulous, or

dull or outrageous, is excluded.

 

A consequence is, that the original meaning

meant by the author is irrelevant. Only the

meaning attributed and supplied by the

reader is significant, or possible.

 

If I, the author, write of the Grail, what does

that mean to you ? Every story in which that

word occurs gives a different account of what

' it ' might be....so nobody can ever decide

what ' it ' is.

 

Except you ! You have now already got

something in your mind, some kind of an

impression, however numinous, which has

become linked to the marks, the signs, the

symbols g-r-a-i-l .... How is that possible, if

you don't know what ' it ' is ?

 

Somewhere, in the neurochemical pathways, a

little patch of brain has been labelled ' grail ',

a reserved plot, awaiting further development,

a node, a twittering anticipation of stimulation

by the flapping wings of that hermeneutic bird,

the peripatetic messenger of the gods which

sometimes alights with another beakfull of

' meaning '...

 

Whether some particular people, a thousand

years ago, were hungry, happy, humane or

whatever, you just designate them as peasants

and peons, according to your prejudices, and

leave it at that. That's the past, then.

 

But suddenly, some new evidence is dug up !

They all dressed in spun gold, wore rubies

and emeralds, built splendid pleasure gardens.

And, voila, a ' new past ' comes to pass...and

you overlay this one with prejudices and

preconceptions.

 

The world began four thousand years ago;

and then the world began four and a half

thousand millions of years ago....

 

The past keeps changing...

The text keeps changing...

 

But, surely, what happened, happened. There

was only one past, one text. What keeps on

changing is the interpretation. All that we can

ever know, is the interpretation. We call that

interpretation ' the past ', even though we know

it is NOT the real, actual past.

 

In a larger epistemological framework, this also

means that the world, the universe, - as the

ultimate text - has no meaning, no ' author ', no

significance, in its own right. Meaning is then

supplied solely by the interpretation of the

one experiencing the world.

 

This eliminates, in effect, the independent

existence of the world, as it eliminated the

independent existence of the author of the

ordinary documentary text.

 

Worse, if you are yourself text, does this mean

that you vanish into the gaps between the

interpretations ? That your own being is no

more than a relativism, something that hovers

about awaiting definition by the next sweep

of the hermeneutic spiral ?

 

Even more alarming, in fact, is the possibility,

taking the idea to its extreme, that the

nescessity, the requirement, for ANY text at

all, is eliminated !

 

( The book, the text, full of blank, pristine,

virginal pages, and you make up the story

yourself, as you turn them.... this is your life,

indeed, except that each page is a brand new

blank day, arrived out of nowhere.... Who is

writing your text, who is interpreting it ?)

 

So does it follow that the reality of your own

precious being is annihilated ?

 

Why be concerned with a material, or physical

or posited text of any nature or description

whatsoever, be it the works of Aristotle or the

archaeological record of Egypt, if that text can

never contribute anything ?

 

We might just as well stay home in bed, and

dream up whatever fantasy we can, for what

would be the point of 'going to have a look

to see what it's like ?'

 

What would be the point of reading Moliere

or Proust, Cervantes, Hemingway, Dostoevski,

Virginia Woolf or Oscar Wilde, if they can

contribute nothing to the transaction ?

 

Very clearly, they do bring something. The

problem is, the impossibility of establishing

any final agreement as to exactly what that

something is...

A hundred readers = a hundred versions ?

 

If there is no text and, so in effect, no world,

what determines any interpretation beyond

the wild unconstrained whims and wishes of

the interpreter ?

 

And, furthermore, leaping into the abyss,

you can interpret yourself, as anything you

wish. As Napoleon Bonaparte, if you please....

unrestrained by the text of your own existence,

because interpretation is limitless. The text

has no meaning, other than that which you

bring to it and the meaning which you

say it has....

 

But I am troubled by your accent....

Doesn't sound at all French, somehow....

or even Corsican.

Pardonnez moi, Monsieur ?

 

As I understand it, the project of Western

culture, from Socrates and Plato up until quite

recent times, has been to observe ' the Whole ',

- or ' Reality ', or ' The World ', - and then to

transform that vision into a system, a kind of

abstracted structure, called ' knowledge ', which

is identical with, or proximate to, that Whole.

 

As I see it, that project is now collapsed. Kaput.

A very obscure subject called hermeneutics,

has moved from the shadows of academe, out

into centre stage, and now looms above all

human knowledge and learning.

 

Nothing can ever again be as it seems.

All that we have, and are, is interpretation

and interpretation and re-interpretation....

 

There is no ' fixed ' or final meaning. Meanings

are a process of negotiation, of relatedness.

Tentative, diffuse, flowing. Merely observing

something, thinking about something, brings

change to its meaning.

 

This is analogous to the project to build a

central repository of cultural artefacts, a

museum of anthropology, as a fixed, static

ground from which to study the peculiarities

of the world's cultures. The folks engaged in

that endeavour considered themselves as

being ' neutral ', or 'objective ', or 'scientific ', as

taking a dispassionate overview.

What has changed, is the vantage point. From

a meta-level, it is apparent that the said project

is itself a cultural peculiarity, and can itself be

analysed and observed, and from this stance,

the presumptions of ' objectivity ' are no longer

credible.

 

The rituals and rigmarole of the scholarly

bureaucracy, the intricate super and sub-

structures of ' science ', the presumptions of

academics, are all as bizarre, and as amenable

to critical interpretation as were once the

mating rituals and seasonal festivities of the

Other, the exotic, the distant in time and space,

' the savage and primitive natives of the

Imperial Dominions ' and of prehistory.

 

But then, we must observe the meta-level, from

a meta-meta-level, and so on, ad infinitum, and

realise that there is no possibility of our being

able to find a stance outside existence from

which to observe existence. The closest that we

can get towards such a position is zen-mind,

no-mind, unconditioned-mind.

 

The rigid monolith, one truth stacked upon

another, to patiently build the great tower of

civilised understanding, with its assumption of

a fixed, objective, and universal reality, has

crashed to the ground...

 

Is that bad ? Instead, we have an ever-changing

firework display, a carnival of sparks and

patterns....there is 'something ', but it is not

what we thought it was...and it never can

be what we think it is....

 

It means that the human race has to grow up.

There is no Father Christmas....

 

We are interpretation....

 

" This is the world: the lying likeness of

Our strips of stuff that tatter as we move

Loving and being loth;

The dream that kicks the buried from

their sack

And lets their trash be honoured as the quick.

This is the world. Have faith. "

 

Dylan Thomas.

 

 

TOP. ~~~~~~~~~~~~~~~~~~~ NEXT.