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This land where I live was once called Annwn

in the old tales of its inhabitants.

 

The Lord of Annwn is Gwyn ap Nudd, which

translates as White, or Holy, the son of the

Mist, or Haze.

His people are called Plant Annwn, the

Children of Annwn, or the Tylwyth Teg, the

Fair or Beautiful Family.

What the English would call Fairies, and the

Irish, the Sidhe-folk.

 

Annwn is a strange enchanted realm, located

somehow underground, or magically comingled

with the ordinary world. An invisible dimension

but connected to the normal mortal world by

way of concealed entrances.

A parallel reality, where nothing is ever quite

as it seems, and where the laws of physics

are mutable.

 

Pwyll, the Prince of Dyfed, is sitting upon one

of the ancient tumuli, when a strange lady in

a golden robe rides by upon a white horse.

He follows her, and is drawn away into her

realm, where time has no meaning, since she is

Rhiannon, and when the Birds of Rhiannon

sing, men lose all sense of the passage of time.

 

The stories are filled with fantastic imagery

and enigmatic references and allusions to

characters, places, and events which were

possibly common knowledge at that time,

but are obscure today. The stories were

composed or collected by the bards.

The status of a master of the bardic lore and

skill was acknowledged symbolically by the

special chair upon which eminent bards were

enthroned.

 

The idea of these otherworldly folk has been

explained as the memory or spirits of a former

race, an earlier culture, displaced by invaders,

mixed with elements of prechristian religious

beliefs. Other interpretations are possible.

 

The written sources of the early Welsh stories,

probably date from 1200 -1300 A.D., containing

material from the 9th. or 10th. centuries and

possibly including some earlier fragments.

To what extent the material allows genuine

insights into prehistoric Celtic culture has been

disputed for a century and more, and still is.

 

( Personally, I believe there is the possibility

that the Mabinogion tales contain material, not

just from Iron Age Celtic times, but from very

very much earlier. Some 7000 years earlier, in

fact, because there is a mention of a time when

Ireland and Wales where only separated by two

shallow rivers, the Archan and the Li. We know

now, from the geological record, that that must

have been the case. But at the time the stories

were written down, the authors couldn't have

known that.

So either they invented that detail - why ? - or

else it must have been passed down via oral

transmission from neolithic and mesolithic

times. There are also the tales of the sunken

offshore kingdoms. That land was inundated

approximately 4000 B.C. )

 

In the ancient Irish stories, Nuadu came to

Ireland with the Tuath de Danann, the people

of the goddess Danu, or Anu.

Having lost an arm in battle which was

replaced with one made of silver, he is called

Nuadu Argatlam, or Nuada ' of the silver hand '.

In the Welsh tales he is called Lludd Llaw

Ereint, which also means ' of the silver hand '.

 

With the coming of the Romans, he appears at

Lydney ( named after Lludd ) on the western

side of the River Severn ( itself named after a

goddess Sabren, or Sabrina ), where in late

Roman times, c. 365 A.D., a temple was

flourishing, probably a healing centre for wealthy

patrons, where was discovered an inscription

' D. M. Nodonti ', meaning ' to the great god

Nudons, or Nodons, or Nodens ', another cognate

of Nuadu, Lludd, Nudd.

 

After the Romans had been and gone, and

England had been conquered and settled, first

by the Anglo-Saxons, and then by the Normans

led by William the Conqueror, Nuadu

transmutes once again, his name Lludd or Lud

becoming Lot or Loth in Norman French, and

thus he enters the Arthurian legends, ( joining

Pwyll, who became Pelle, then Pelleas ) becoming

in Malory's ' Morte d' Arthur' ( c.1469 ), King

Loth of Orkney.

 

The first known story-teller of Arthurian themes

on the continent of Europe was a Welshman

named Bleheris or Bledri, who frequented the

court of Guilhem IX, Count of Poitou and VIII

Duke of Aquitaine.

 

It is likely that Guilhem received the stories of

the Holy Grail from this Bleheris, and that they

subsequently spread from the Court of Poitou.

 

It seems that this Bleheris was one Bledri ap

Cadifor, whose father, Cadifor, was a great

personage of the time in West Wales, and was

looked upon as the ancestor of important

families of ancient Dyfed.

 

Cadifor seems to have been on quite friendly

terms with the Normans, being said to have

entertained William the Conqueror on his visit

to St. David's in 1080.

 

In those days, St. David's, on the south-west

extremity of Wales, was a very famous

pilgrimage destination. Two pilgrimages there

were considered the equal of one to St. Peter's

in Rome. In the Age of Saints the peregrination

or ' soul journey ' was a major activity, and St.

David's must have had contacts with much of

Europe, the Middle East, and North Africa.

 

Cadifor died in 1089.His eldest son, Bledri,

probably lived between 1070 - 1150.

 

As many people have noted, the cycle of stories

surrounding the Holy Grail contain an esoteric

mystery, the tales being utilised to implant a

secret spiritual teaching concerning the Divine

Source, and the possibility of experiential

communion with it.

 

As an aside, it is here perhaps appropriate to

mention that, in my boyhood, I did actually

hold what was said to be the Holy Grail

in my young hands.

 

I recall its appearance as being similar to a

portion of coconut shell that you'd find on

the beach, worn by sand and water.

It was part of a very old wooden bowl, and

supposedly the vessel from which Jesus

drank at the Last Supper.

 

I had, and have, no way of verifying that claim.

The story was that it had found its way across

the intervening distance in time and space, to

Strata Florida and from there to Nanteos,

where I met it.

 

Perhaps it is the genuine cup, but I believe

that the Grail mentioned in the stories refers

to something of a different order entirely,

something immaterial.

And given that in mediaeval times, a ' good

relic ' could produce enormous wealth by

attracting pilgrims, all such relics must be

viewed sceptically.

 

A pilgrim visiting shrines in France was shown

the skull of John the Baptist on two consecutive

days, at two different places.

When the pilgrim enquired how this was

possible, the attendant monk at the second

shrine said that the first skull was obviously

that of John when he was a young man, and

this second skull from when he was old....

 

There are two sources which mention the Grail

as a chalice related to Christ whose date is

considerably earlier than that of the main body

of Arthurian literature.

 

One, from the early ninth century, says that

Joseph of Arimathea brought the Chalice of the

Last Supper to Britain, where he was given an

island called Ynis Avalon ( Welsh, Ynys Afallon,

island of the apples, or orchards ) by a king

named Arviragus.

 

The second, and earliest, is from Helinand de

Froidmont ( circa 717-9 ) : ' At this time a

wonderful vision was shown to a certain

hermit by an angel, concerning a noble decurion,

Joseph, who took down the body of our Lord

from the Cross, and concerning the bowl or

dish in which the Lord supped with his

disciple in regard to which a history, which

is called the Grail, has been written by the

same hermit.'

 

The quantity of literature, both ancient and

modern, concerning the Grail - or Sangreal as

it is sometimes known - is immense, but despite

countless scholarly researches, the Grail remains

elusive, its precise origin and nature unknown.

 

If anybody discovers the true nature of the

Grail, it is certainly best to keep it a secret, lest

they spoil the mystery for all those folk who

are still seeking and engaged with their Quest.

The journey is, after all, just as important as is

the final destination, and they are, in fact,

really the same thing. If you show someone

the way, you rob them of the chance to make

their own discovery.

 

It is told in ' La Queste del Saint Graal ', that

when the knights of the Round Table set forth

in quest of the Grail, they depart from King

Arthur's castle, " And now each one went the

way upon which he had decided, and they set

out into the forest at one point and another,

there where they saw it to be thickest, so that

each would experience the unknown pathless

forest in his own heroic way."

 

 

 

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