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The Apollo, Manchester, 29th May 2002
I Won't Walk Away, Standing Still, Do You Want To Play, Jesus Loves You, Hands, Till We Run Out Of Road, What's Simple Is True, You Were Meant For Me, Violet Eyes, Happy Endings, 1000 Miles Away, Morning Song, Cold Song, Down So Long, Life Uncommon, Serve The Ego, Love Me Just Leave Me Alone, Everybody Needs Someone Sometime, New Wild West, Who Will Save Your Soul Encore Foolish Games, Mary Had A Little Lamb (Lenedra), Love Me Or Leave Me, The Other Woman
Pictures
Pictures by Bill Cox

Jewel signs autographs before the show Jewel signs autographs before the show Jewel signs autographs before the show Jewel signs autographs before the show Jewel Jewel Jewel The after show gathering at Monroes (Stephen, Melissa Francois, Chris, Michiel and Rachel)

Pictures by Tanya Geekie

Picture of Jewel by Tanya Geekie Picture of Jewel by Tanya Geekie Picture of Jewel by Tanya Geekie Picture of Jewel by Tanya Geekie

Picture by Chris Groves

Jewel arrives at the Manchester Apollo

Pictures by Matt with his "cheap 'n' nasty throw away camera"

Jewel by Matt Jewel by Matt Jewel by Matt Jewel by Matt

Reviews

Review from Manchester Evening News

Jewel @ Apollo

THE bar has emptied and the audience is sitting waiting for the gig to start.

Despite having to wait a further 10 minutes, there's hardly a sign of impatience; if there's a more civilised crowd in the pop world than that which gathers to see Jewel, I've yet to see it.

But last night's gig by the Alaska-born singer/songwriter almost never happened, for she recently suffered a broken rib and was wearing an arm-bandage following an accident on a bucking bronco - her boyfriend is a champion rodeo rider.

As a result, she never looked totally at ease, as if unable to know what to do with her hands, and was only able to accompany herself on guitar for a few acoustic numbers in the middle of the two-hour set. To top it all, her drummer and one of her guitarists were also nursing injuries.

Jewel's latest album, This Way, all polished production values and possessing a vibe so laid-back it's almost Californian despite having been recorded in Nashville, is a major departure from her folk roots.

The show, very different from her first appearance in Manchester, in May 1999, reflected it, although the ice-maiden image remains, exaggerated by the over-white lighting.

Serve the Ego was a bluesy blast, while Everybody Needs Someone Sometime was, perhaps a little inappropriate given the subject matter, a raunchy affair.

If Joni Mitchell was the original influence, it's clear that Bonnie Raitt has been on her stereo of late.

There was a lovely moment half-way through the show, when, unable to remember all the words to a track from her debut album, Pieces of You, she invited a female member of the audience up on stage to help her out.

It's not something you see too often, and the mature crowd loved it.

Perhaps a sign of what the future holds for her was the encore, when she sang the old Sarah Vaughn jazz standard Love Me Or Leave Me.

It was truly delightful, a perfect end to an enjoyable night's entertainment.

This review can also be found online at Manchester Online


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