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FLASHBACK: CHICAGO, EARLY 1960S
A crowded, raucous jazz joint. Most of the clientele are Negro and
the music is loud but the crowd is rapt, their attention focused on
the club's tiny stage. There, a lithe light-skinned woman with
straightened hair pulled tight back sings the blues. Her red sheath
dress shimmers as she sways, her body and soul caught up in her
music.
At the very back of the club, tucked into an dark alcove behind some
unused equipment, are two eighth-grade boys. The light from an
overhead EXIT sign casts shadows of their heads as they peep over the
boxes--one round from its tight kinks, the other flat on top from a
recent butch cut.
"Ain't she great?"
"Yeah--Uncle says she's better than Billie herself."
"Sure glad your uncle let us come tonight. If we get caught here, he
might lose his license."
The first boy shrugs. "Nobody or nothing's gonna shut this place
down. Uncle knows whose baby needs shoes."
The second boy nods. He knows already that Chicago runs on under-
the-table money.
On stage, the woman sings the final song of her set. The boys hush
as she wrings the last drop of emotion from the music. As the sound
of her voice rises, their eyes widen as the pathos and strength in
her song stirs them.
"God. . . ." More of a prayer than a blaspheme, it is the only
sound made by either boy until after the singer leaves the stage and
the house lights come up. A pudgy black man in a tuxedo walks toward
them and makes shoo-ing motions with his hands. With the singer's
spell broken by his actions, the two boys duck out into the night.
They are halfway down the block before either finds a voice.
"Your ma's gonna kill us if she finds out where you've been."
The other boy shrugs with the nonchalance of a thirteen- year-old.
{Yeah, I'll get grounded for sure. But, hey-- hearing Callie Hodges
wail was worth every minute of it.}
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